No Man A Quarantine Island by Charlotte Simmonds. First performed at Verb Festival 2020.

Kiki Van Newton on liminal spaces.

Chris Holdaway reviews Georgie Hill’s ‘Concave Iridescence’ at Visions Gallery, Auckland.

Miriam Lancewood’s letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Mark Sweet’s letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Linda Burgess’ letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Michalia Arathimos’ letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Whiti Hereaka’s letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

AJ Fitzwater’s letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Mohamed Hassan’s letter for Verb Festival’s showcase event themed ‘The best letter I never received’.

Architect, poet and artist Elisapeta Heta explores indigenous art through the ideas and acts of resilience, connection and continuation. The third essay in the series ‘Art History is a Mother’ in partnership with City Gallery Wellington.

A moving, personal exploration of home ownership in Aotearoa.

The story of an author collective who came together over lockdown to write, publish and comfort one another. With witches…

An essay on Anne of Green Gables, family and the lineage of story.

An essay of four names, in four parts, by John Summers.

The third instalment of our series ‘Art History Is a Mother’, in partnership with City Gallery Wellington.

Megan Dunn talks to Jennifer Higgie, Frieze Editor at Large and host of Bow Down, a podcast that celebrates significant women from art history.

Marty Smith’s moving account of her friend Paul’s final weeks which coincided with lockdown 2020.